Lisa is immediately on fire

Lisa is immediately on fire

Stories about women and men" published. And she is a lawyer with many years of experience in a Frankfurt commercial law firm. And now she talks at too "Delicately at the limit".

"I’m just not a tough dog"she explains the title of her show. "But I’m someone who likes opposites, I think it’s great when a gangster rapper also reads Rilke poems. My ex-boyfriend said about me: Opera ball meets ass antlers, and that made me feel very good." Her talk show should also be colorful and varied: "We can’t just talk about Jonathan Franzen and Kafka the whole time and recite poems by Brecht"says Karasek.

"It should be about topics that affect young people, at this time in life, what have you already achieved, what do you still want to achieve, what are unfulfilled dreams? You have small children or would like them, you have money worries, longings or you want to change your career"she explains the concept.

And tabloid themes are also part of it: "Gossip, dating, sex, love and nudity. The question of ties, monogamy, loyalty among young people", enumerates Karasek.

In "Delicately at the limit" A lot should be possible, but one thing is not: Another political talk show – there is already enough of that, says Karasek. Politicians are therefore less likely to be guests with her. "If Rezo wants to come to me, I’ll be happy to invite him", she says. "But now he was just at Jan Böhmermann’s." And guests, with whom she would like to talk, immediately come to mind: the rapper Bausa, for example, actor Lars Eidinger, the presenter Ina Müller, whom she admires.

"I invite my guests to have fun with them, to party them off, to exchange ideas with them, not to get them down", explains Laura Karasek. It doesn’t always have to be celebrities: "We also want to give people an opportunity who are not always on the talk shows, who have had to experience a break in their résumé, who have suffered a defeat, or who are pigeonholed in one or the other drawer." And it shouldn’t be a men’s event either: "It’s a female talk show, and then just inviting guys back, that would be idiotic"says Karasek.

She has never moderated before. She got the job because she once wrote an email to ZDF without being asked, which said: "You have to get to know me. You will not regret it." It took a while, but now she has her own show.

Six 45-minute episodes are planned for the time being – until Jan Böhmermann is back from the summer break. In the first show, Karasek talks with actor Denis Moschitto, comedienne Tahnee Schaffarcyk and rapper MC Bogy. The film is shot in a club in Frankfurt am Main, where Laura Karasek lives.

How it goes after the sixth episode is open.my community essay examples It’s not even clear whether she’ll be allowed to run again during the next summer break. But there is still time until then. Laura Karasek already has a very creative idea: "Next summer Böhmermann will be my substitute, how about that?"

Berlin (dpa) – His story is legendary in the truest sense of the word, and the British writer Agatha Christie even let a murder happen there. The documentation shows what other stories there are about this famous train "The Orient Express – Vintage on rails". You can see it on Arte on Saturday (March 16) at 9.45 p.m.

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The train went on its maiden voyage on October 4, 1883 at the Gare de Strasbourg station in Paris (today: Gare de l’Est). The long-distance journey by train led from the Occident to the Orient, and politicians, diplomats, writers and journalists were on board on the historic journey with five wagons and 40 passengers.

The 3000 kilometer journey lasted three days, from Paris via Strasbourg, Munich, Vienna, Budapest, Bucharest and Varna to Constantinople (today: Istanbul). A single trip cost about as much as three months’ wages for an unskilled worker, the route was later changed, shortened and supplemented several times and was in operation until 1977.

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The beautifully illustrated film by Louis Pascal Couvelaire sends the viewer on a journey that is sometimes wistful. It tells stories about the Orient Express, but also provides many historical and technical facts. At that time, of course, there was no political Europe of today, the rail networks did not have the same technology or gauge as currently in almost all of Europe – the locomotive alone was replaced up to 30 times on the route.

The film recreates a journey and offers scenic representations with actors as well as archival recordings from previous journeys as well as historical photos and drawings. Journalists, writers, historians, railway workers, members of associations, scientists and Baudouin Nagelmackers (80) have their say. He belongs to the family of the Belgian train operator Georges Nagelmackers (1845-1905), the founder of the sleeping car company "Compagnie Internationale des Wagons-Lits". He worked closely with George Pullman (1831-1897), the inventor of the luxury sleeping car of the same name.

Famous passengers included the Dutch dancer and spy Mata Hari and the actors Marlene Dietrich and Charlie Chaplin. Their names are still common today, the train is no longer so much – but there are people who hold up his memory. The film also shows restoration workshops in Hungary and Bulgaria and various wagons that are ready for scrap, for example in Normandy. On the border between Poland and Belarus, 13 wagons were dawning for a long time – they are now being painstakingly restored.

Munich (dpa) – Hannelore Elsner loved life. Have fun, celebrate and enjoy, sometimes happy, sometimes thoughtful. Until the end she was a beautiful, elegant woman who could be as capricious as she was uncomplicated. Her surprising death on Easter Sunday in Munich made many people sad.

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Now the actress can be admired again at the side of Uschi Glas and Jutta Speidel in the first, in one of her last roles. In the tragic comedy "Lonely Hearts Club" on Saturday (June 8th / 8:15 pm) she will play the burned-out pop singer Kiki, who meets two former friends again after 45 years. A film in which Elsner was allowed to celebrate to his heart’s content and turn men’s heads. And a homage to a great diva in German film.

She makes it unmistakably clear that Kiki cannot be pushed back to old age. Sometimes with ankle boots, black leather skirt and feather boa, sometimes with a sequin dress or a girlish striped shirt and a flower in her hair. A woman who knows that even with wrinkles, she still looks sexy. Her friends, on the other hand, are frozen in old age. Maria (Glas) is a permanent guest at funerals in order not to be lonely. And Helga (Speidel) is urged by her daughters to sell her house in order to solve all money problems. Your best friend: the eggnog.

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Kiki is horrified and wants to bring Helga and Maria back to life. Finally, the three come up with a plan: They want to make their childhood dream come true and open a dance café. But their families have other things in mind. They would rather deport the women to the senior citizens’ residence.

Christine Hartmann ("Hanni and Nanni") co-wrote and directed the script. The film is harmlessly amusing, but it lacks the right bite; especially the dialogues are amazingly tame. One would have wished for more quick-wittedness, more nastiness if Elsner, Glas and Speidel pissed off each other or quarreled with their families. That’s a shame, especially in view of the prominent ensemble, including Hansi Kraus, known from clothes like "Rascal stories" or "The lout from the first bank".

The fact that the tragic comedy still touches is due to Elsner, Glas and Speidel, who are passionate about what they do. A faint melancholy pervades the 90 minute film, which is also about fear – of loneliness, of affliction and death. Elsner as Kiki drives away gloomy thoughts with her radiant smile. So is "Lonely Hearts Club" a wonderful farewell present for a great Hannelore Elsner. She can do what she liked to do in life – celebrate, dance, enjoy life. "A never-ending scandal", as Maria sarcastically notes. And at some point Kiki realizes: "You should really go when it is most beautiful."

The most touching moment comes at the end, when Elsner stands on stage and sings, one last big performance, maybe kitschy, but with slight goose bumps: "Time flies, who is holding it up, my reflection sometimes becomes strange. But my gaze is still the same, young and alert, ready for more." Applause. The End.

But not quite yet. In September the still completed film adaptation of the novel is due "Hannes" come to the cinema with Elsner under the direction of Hans Steinbichler. The TV tragicomedy "Long live the Queen" is still at work. Elsner died before the end of the shooting. The film should be finished in any case, it said at Bayerischer Rundfunk. But when and how, that is still open. Elsner plays a woman suffering from cancer who needs a donor kidney. Her last role in which fiction was overtaken by reality.

Berlin (dpa) – Talent, casting and jungle shows are booming on television. While the viewers enjoy the embarrassing or successful appearances of the candidates week after week, they sometimes have momentous experiences.

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It is not uncommon for them to end up taking part in shame or disappointment, usually during the show, in some cases only afterwards, when the great disillusionment comes.

How such a short-term star can fare shows "Bigger than on TV", a media satire (director: Christoph Schnee) that will air the first on Wednesday (May 29) at 8:15 pm. In the comedy, the former casting show star Nico Hölter (Dennis Schigiol) tells his story, which begins with big dreams, but then takes an unpleasant, even bizarre course.

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After participating in the broadcast "New Star" he tries in vain to get to big gigs, receives one rejection after the other and finally finds himself forced to sing cover songs in front of a handful of spectators in furniture stores. But then he has the opportunity to boost his career. Nico has to appear in front of an older lady and sing as beautifully as ever – but in underpants.

This deal was arranged by Lisa (Janina Fautz), a failed student who pursues her own interests. After the lively mid-twenties failed the last exam at a Berlin university, she returns to her hometown of Körstel to get the indebted inn of her father, who died shortly before, back on track.

But all attempts remain ineffective. Fortunately, one day an investor shows up and wants to buy their farm like the surrounding land to build a holiday park. Lisa is immediately on fire. The "SunParc" seems to be her salvation, if it weren’t for Eleonore (Marie Anne Fliegel), the said lady with a pronounced weakness for Nico, whose property is also on the coveted land.